All of these installments exude the best qualities of the show while expanding the lore and inviting adult themes even the show's easter eggs reappear to hint towards different directions that the show takes on next. “Adventure Times: Distant Lands - Wizard City” illustrates the journey to becoming a wizard in the infamous Wizard City. “Adventure Time: Distant Lands - Together Again” catches up with Finn and Jake in the future where they’re both dead and in the underworld. “Adventure Time: Distant Lands - Obsidian” investigates how far back Marceline and Princess Bubblegum’s love stretches. “Adventure Time: Distant Lands - BMO” finds the titular character exploring space and landing on a base that exploits workers and hoards resources. they’ve become more gruesome than before. Other darker adult themes included in the newest iteration of the series are a critique of greed in the free market a homosexual relationship that is centered in the narrative and the deaths. Adventure Time: Distant Lands introduces more adult themes to a series that was already sophisticated in a multitude of ways, but now there’s death. Told from different periods and sometimes different dimensions within the Adventure Time universe, the show gives characters from all across the ensemble their specials. Presently, Adventure Time has shifted its storytelling once again with the newest anthology-like series of specials. This is a landmark moment within the series because of the pattern of producing serialized episodes surrounding centralized characters perseveres until the final season on Cartoon Network. “Stakes,” by the nature of its story - Marceline ( Olivia Olson) recounts how she becomes a vampire while getting rid of her vampirism with the help of Princess Bubblegum ( Hynden Walch) - exhibits the masterful aspects of Adventure Time by anchoring the narrative into a specific story for several episodes and technically lengthening the runtime from fifteen-minute episodes to hour-long. RELATED: 'Adventure Time: Distant Lands - BMO' Review: Come Along on a Far-Out New StoryĬonsecutive seasons follow the precedent of season four, but this shifts a bit in the seventh season where the first special deploys the world-building, serialization, and darker themes of the series. The series took on a very light tone with specks of darkness included in almost every episode: the title sequence foreshadowed a great deal of world-building not unnoticed by many fans at the time. The bulk of the first episodes of the series involved stories saving any manner of strange princesses from the Ice King, correcting wrongdoing by newly invented monsters of the week, or just hanging out with characters from the massive cast that was present even at the beginning of the show. Unorthodox in practice, the series told episodic stories that were resolved with lighthearted endings. Instead of another cartoon involving a superhero adolescent boy, Adventure Time parodied the genre by creating situations with a bend towards comedy. Cartoon Network premiered Adventure Time on April 5, 2010, at a time when the network was changing up in its line-up of cartoons. The next home for adventurers Finn ( Jeremy Shada) and Jake, newly named but the same characters nonetheless, turned out to be a long-lived one.
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